- April 28, 2016
I don’t often sell small editions of affordable prints, but this holiday season, you have 4 to choose from!
For a limited time, Artists4Artists is offering limited-edition prints from some amazing fine art photographers for under $150!
I have two prints on offer at the Artists 4 Artists Holiday Print Sale: Sunflower and Spiritus.
I’m really excited about these prints. Spiritus is a reproduction of a tintype, and it’s printed on a metal plate (as a tintype is). It would look fantastic in your art collection.
Sunflower is from my new Wallflowers series of encaustic works, and is a very popular image.
Purchase either one this month for only $150! Visit the Artists 4 Artists Holiday Print Sale and check them out.
In the next week or so, they’ll also be posting an interview with me, so check back for that as well.
Fraction Magazine Holiday Print Sale
I’m also honored to have two limited-edition prints featured on the Fraction Magazine Holiday Print Sale. Curated by David Bram, “the HPS supports artists financially and creates a real connection between you and the photographer whose work you have admired on Fraction.”
I have two images for sale: Divided and Asia.
Both prints are from my Wallflowers series, printed and signed by me. Visit them here:
These lovely images would make a great gift–for yourself, or someone you love. They’re only offered this month, so take advantage of this special offer while you can!
What a privilege to be invited back to the Lishui Photo Festival this year. I was invited to go previously in 2013, with 7 other American photographers (read about our adventures here). This time I was invited on my own, to accompany my Skeleton in the Closet show, and to give a lecture.
The Lishui Museum of Photography had shown Skeleton in the Closet in January of this year; they were kind enough to submit it to the festival as well, and it was accepted. They showed 58 of the 75 pieces in the series, which looked great on the wall, translated into Chinese.
So along with thousands of other photographers and art enthusiasts, I came to Lishui for 6 days.
First pleasant surprise of the week: spending time with fellow Portlander Laura Valenti (of Photolucida). We had a great time walking, talking, and photographing the city together.
In addition to the Skeleton in the Closet show, I also helped organize a second exhibition. The 8 American photographers who were there in 2013 (me, Heidi Kirkpatrick, Jim Leisy, Susan Kae Grant, Bill Vaccaro, Clay Lipsky, Barbara Ciurej, and Ryan Zoglin) took a lot of pictures (of course), and we were able to show 5 images each in the 2015 Festival.
And finally, a few images I shot on the street around Lishui:
My good friends at Lensbaby asked me to speak at the PIX event in Seattle in the fall. It was an amazing event, with speakers on all aspects of photography, plus a live-streamed expo, conference & interactive photo playground.
I spoke on “The Art of the Fine Art Portrait,” which they professionally filmed. Check it out here!
I think it must be every photographer’s dream to have their work featured by National Geographic. And that dream came true for me this week.
National Geographic recently contacted me, asking for in interview about my work. We had a great conversation about the genesis of this project, how I tend to work, the art of making photogravures, and more. The result is today’s feature on their website: an article about my series Astra Velum, and the thought and process behind it.
My favorite part? The comments on their blog about the work. This one from Abigail pretty much sums them up:
I’ve always been shy because of my freckles – I have them all over my face, arms, shoulders and back. When I was young they were much darker and obvious, I’ve been teased and bullied so many times. Thank you for making me feel less self-conscious about them!
This kind of response makes my work that much more rewarding. It’s one thing to make work that I enjoy creating; it’s quite another to see it make a positive impact in the world.
Beauty is only skin deep. But ah! me; freckles go to the bone.
Astra Velum, an exhibition of photogravures by Fritz Liedtke, finds beauty in what many view as imperfection, exploring faces filled with freckles and scars. In these works Liedtke finds an exquisite gorgeousness, as he says, “overlaid upon us like a thin veil of stars.”
Liedtke’s Astra Velum is a series of photogravures: intaglio prints created in a printmaking studio. These moody, luminescent prints truly must be seen to be appreciated. This show includes new work in the series, not shown before.
Join us for the show at Oregon Statue University’s Fairbanks Gallery:
April 6-29, 2015
Opening Reception: April 8, 4:30-5:30pm
Oregon State University
220 SW 26th Street
The Lishui Photography Museum, in Lishui, China, just finished showing 60 images and stories from the Skeleton in the Closet series. The staff there translated all the texts for this solo show, which viewers found very moving. They also featured an 8 page article in one of China’s premier photography magazines.
I was pleased to learn that the Suzzallo Special Collection at University of Washington recently added my altered book Faerie Queene to their collection. Many thanks to the wonderful Laura Russell at 23 Sandy Gallery for helping them make the addition! This altered book consists of a carved book, painted endpapers, platinum print photograph, ink, tarlatan, text.
Several photogravures from the Astra Velum series were juried in to the Alternative Processes show at SoHo Photo, in New York City. Geoffrey Berliner, Executive Director and co-developer of the Penumbra Foundation, was juror for the show.
After viewing the show, Roger Thompson, senior editor of Don’t Take Pictures, had this to say about my work:
Liedtke’s portraits demanded attention. Small photogravures, they’re portraits of young faces that manage to both yearn outward and pull inward. I frankly can’t get the eyes of “Asia” out of my head. These are works where the process not simply supports the subject of the imagery, but animates it. The clarity, the intensity, and the sure lines of the features remind us that photogravure is not simply the process for the fantastical or ethereal as it seems to have become today (think the ParkeHarrisons), it also allows a measured precision and texture that is hard to replicate. It’s almost impossible to imagine a silver gelatin print representing the freckled skin of Fritz’s “York” with such complete richness and honesty. If Liedtke can pull a photogravure like “Asia” and “York,” one wonders how other artists might reclaim and remake lost processes, and the exhibition, like other process exhibitions, helps us imagine what all we’ve left behind when we turn toward contemporary printing.
Read the full article, and see other stunning images from other artists, here: http://www.donttakepictures.com/dtp-blog/2014/11/30/alternative-process-soho-photo
2014 was a busy year for art and artmaking. I started off the year teaching art in Italy for 3 months, and ended it painting murals in Guatemala.
Mural painting in Guatemala really was a new venture. I’ve painted, and I’ve photographed, but I’ve never taken one of my photographs, turned it into a mural design, and painted it 9 feet tall on a hospital wall. In Guatemala, I did this 7 times, sometimes 30 feet up in the air!
My friends and I were working in a children’s hospital in rural Guatemala. Children are brought there severely malnourished, and often with serious disabilities. (The girl featured above, Yolanda, was both severely malnourished, had Type 1 Diabetes, and is deaf and mute. But she’s also wonderful.) The amazing people at the Hope of Life Hospital nurse them back to health at no cost to the families, and send them home with education and food to help prevent further problems.
We wanted to create images that inspired hope, and created a welcoming environment, for these traumatized children and their parents. The results were surprising even to us, and everyone was very pleased.
While in Guatemala, I took an afternoon to drop in on my friends at La Fototeca. The work they do bringing top-notch photography to Guatemala City is really impressive. And their open-armed welcome made me feel like a rock star!
Thousands of photographers from China and oversea get together and participate in the show. More than 100 artists’ work are presented to the audience of Shanghai people and photographers from around the world. High Noon Fine Art presented five American artists’ portfolios: Debora Schwedhelm, Fritz Liedtke, Heidi Kirkpatrick, J. Scriba, and Susan Kae Grant.